Ciao Tutti!
We slept like rocks and got up
around 7am today. Justin went for a run
and got see tons of Venice, though running in Venice is a bit more on the
leisure side due to all the bridges and streets that end in water!
Our B&B served us a cute
little breakfast that we were able to eat at the table in our room, and then we
headed out for more art! I must confess
that after last night's tour of the Arsenale I almost said that we did not need
to see the Giardini Pubblici portion of the exhibit, but boy am I glad we
didn't pass it up. This portion of the
Biennale reminded me of what I imagine the Chicago World's Fair may have felt
like. There was a central pavilion in which the curator exhibited more works of
similar feel to that in the Arsenale. This
exhibit was once again beautifully laid out.
Something we found most interesting were the handful of work created by
people who were or are not technically artists.
There were these large, semi-abstract technical chalk drawings on black
paper that were created by a professor, not intended as art but rather as part
of his lectures. One of his students started
covering his blackboard in black paper so that she could save his drawings and catalog them. There were also pages of
a journal drawn by a boy when he was 12-18 years old, depicting his somewhat
childlike sexual fantasies. And drawings
made by a few people who considered themselves to have healing powers, that
used their drawings not as art but rather as part of their healing
processes.
Not only was the art intriguing
to look at, but the background information behind the artists was so interesting. I have never wanted to read the exhibit
descriptions as much as I did during this exhibit. After we finished in the Central Pavilion we
wandered around in the garden area. Here
is where the world's fair comes in… While the Aresenale was a large exhibit
curated by a singular person, drawing art from countries all around the world,
the rest of the Giardini had individual country exhibits. Each country has its own unique
building. Each building housed artwork
for that country only and was chosen by a curator from that country. We made our way through most of them, one
cooler than the next. By the time we got
to USA I was a bit nervous that we wouldn't measure up to what we had seen so
far. Not true. For the US exhibit the
curator chose a single artist who made these large scale found object
installations that took up the majority of each room and spilled out into the
front of the building. Very cool and
very impressive. Oh, and the exhibit was
sponsored by Bloomberg, go figure!
I could talk about the rest of
the exhibit for pages, but I will refrain.
I will mention just one more, the exhibit from Israel. The building itself was pretty cool, you walk
into to a small area on the ground floor.
There was a small hole dug into the floor, clearly drilled down through
the concrete to the dirt below. All the
rubble was laid out around the hole.
Then there was a video of a DJ, with a huge old mixer table, playing
music. In the video he was set up in the
exhibit room, with the hole. Then you walk up the stairs and as you do so you
pass a small exhibit of what looked like somewhat abstract clay heads on poles,
furniture and other types of found pedestals.
Then when you arrive at the top of the stairs you are greeted by another
video, this one completely bizarre. It
was a video of people (somewhat odd and quirky people) sculpting the heads we
had just passed. The bizarre part
however, were that these people were making noises AT the sculptures while they
were making them, some singing, some just making odd noises. Some spoke into microphones that had become
part of the sculpture, others just made noises into their sculpture as they
worked. Some of the artists were half
covered in clay themselves, making gestures that seemed more of a ritual than
of making art. It was one of those
things that was so bizarre to watch that you could not look away. We were transfixed with the oddity of
it. When we finally moved on, we headed
back down the stairs of the small space, stopping one more time to glimpse the
video of the DJ. This is when it dawned
on us, the DJ was mixing the sounds/noises of the people who we just watch
sculpting the heads! It had all come together, and once understood as one large
piece of work, it was astounding. I
often say that art is as much about the process as is it about the end result. This body of work was such a perfect example
of it that. It was just very very cool.
By this point it was well after
lunch time and we were tired and hungry.
We decided to head back towards our B&B. We found lunch on the way back, stopping at a
cute little trattoria. Justin had an
excellent glass of Prosseco and a large bowl of muscles and I had a small pizza
with fresh mozzarella, arugula and fresh tomatoes.
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